‘I JUST KNEW IT WOULD SOUND INCREDIBLE!’: WHY THE GLOBE IS GIVING SHAKESPEARE SOME FLAMENCO FIRE

WHAT HAPPENED

Verified details available in the live RSS coverage:

• The Guardian: Love’s Labour’s Lost offers a heady mix of passion and death – which makes the Spanish art form a perfect match, says director Indiana Lown-Collins.
• The Guardian: Our writer joins the theatre’s flamenco bootcamp On a heatwave day in London, Shakespeare’s Globe has turned into a fiesta.
• The Guardian: Hard-heeled boots strike the wooden boards with rat-a-tat rhythm, skirts swish, a guitar strums, voices rise along with the temperature.
• The Guardian: Perched in front of the stage is director Indiana Lown-Collins, who is zhooshing up one of Shakespeare’s wordiest plays with a hot flourish of flamenco.
• The Guardian: Lown-Collins is half-Spanish and grew up in Spain where flamenco was her way into the arts.

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