The Guardian’s Culture review covers Universal’s late‑summer romcom *One Night Only*, a film that imagines a society where premarital sex is legally permitted only on one night each year. According to the review, the movie combines a slick visual style with a gimmicky premise, but struggles to fully escape the grim undertones of its setup.
The review describes the film as the result of a four‑cocktail elevator pitch and likens its premise to a "Sex Purge" and a Handmaid’s Tale‑style dystopia, yet it is framed as a bright, music‑driven romcom. While the plot attempts to balance romance and comedy, it is hampered by a pervasive sense of governmental control over bodies, with protest scenes drowned out by a Top‑40 soundtrack. The release marks Universal’s first wide‑releasing romcom since April.
The film’s odd concept and mixed reception illustrate the broader trend of romcoms trying to revive the genre with darker, socially conscious themes.